Maritime--Have you gone mad???

Smoking to get your lungs used to what? Black crud, crappy sludge? As far as I'm concerned you are slowly committing suicide, my friend!!

DON'T DO IT! DON'T DO IT! DON'T DO IT! MAN, I SPEAK FROM EXPERIENCE--I HAVE SEEN PEOPLE DIE FROM THE EFFECTS OF SMOKING AND IT AIN'T PRETTY MY FRIEND!

My Mother-in-law died a horrible death 4 months after Steve and I were married! How do you think I felt about that?

Joe, its my first ytime that post a message for you. I think that you are amazing !!!! I seen all your shows in Buenos Aires, Argentina. The last, in 2008, for me, was teh best that all shows taht all see and hear !!!!

thanks for give wonderfull moments, because you music are a reason for happy for me!!!

I study guitar, but wthen i hear you, i was a litle sad, because i comphrehend what difficult its for me play guitar at good level....... not imagine me play at incredible levels like you.

thanks for your betaful music !!!!!

Another reason why I love T2J: It's hard for trolls to keep up with things for more than a post or two. :-)

Anyway...here's a list of songs I used to try to turn on a co-worker to Satch. I think she listened to most of 'em, but I don't think it stuck. Oh well...

Friends
Baroque
Secret Prayer
Love Thing
Rubina
Banana Mango II
Memories
Flavor Crystal 7
Bamboo
I Believe
The Souls Of Distortion
Flying In A Blue Dream
Musterion

If Joe wins the lawsuit, damages will likely be paid retroactively. For him to have a shot at being awarded a Grammy (if the song even wins), though, he'd need to be suing for a songwriting credit...and I don't think he is.

I'm not sure why he's only seeking money...my guess would be if he wins in court, he'll be awarded a big enough percentage of the song's profits that it just won't be worth it for Coldplay to do anything with that song in the future. The Coldplay song would essentially disappear and the melody will be Joe's again, in If I Could Fly.

I don't know, though...

And THANK YOU for the PDFs of the court filing. I was going to try to dig those up but it looks like he beat me to it. Sweet...

Nice one, Marcelo. Welcome

I've been listening to Merry Axemas all weekend, lovely description in the CD liner of how each artist came up with each arrangement and why.

Al....I have thought about having a smoke (almost) every day since I quit. And there were days when I would have cracked under the pressure if someone would have waved one in my face. Nowadays my only vices are an occasional beer & whiskey......and an occasional "puff"...ahem...who said that?

Hi Joe!!!

Whaaat!!!!??? COLDPLAY steal you theme!!!???...Hell Mother Fuckers!!!

Do you know why they copy your theme? , because they dont have imagination, soul, creativity... and they are forced to steal you theme to obtain a lot of grammy or more popularity... ¬¬.

Dont worry joe and remember one thing: Your fans loves you !!!

You rules!!!, You are the guitar hero!!! You are the satch!!!

See ya!!!

Austin, glad u liked the vid! After I posted it & watched it again, I realised it was made at my son's Uni, (got the link from a pc mag) yay hey! He is doing graphic design, no films yet..!

Who notices a lot of new Joe fans here? WElcome everybody, come on in!*****

WOW

Dear Joe,

I want to write to you regarding the "Viva La Vida" and "If I Could Fly" lawsuit that is happening between you and the band Coldplay. I want you to that I have been a fan of your music for a good many years now. I have had the pleasure to see you twice in concert. Once with G3 in, and again on your own tour. Both were amazing.

I write to you as a fan of your work, your music, and your dedication to being a viruoso guitar player, and not a fan in anyway of Coldplays.

But I have to say, that this action for me, is a straw that broke the camels back.

Yes, I can understand that it might be disheartening to hear a song that has a riff or a line that sounds very similar if not exactly like something you have created. I listened to both songs side by side, and the similarity is without a doubt there. But to cause such a fuss, and sue simply because of that reason is absurd.

Your argument essentially states that only you in the entire known world can come up with that arrangement of notes and that no one else is originally capable of doing the same feat.

Not only that, but only one person in existence can lay claim to that arrangement and no one else may make use of it even if they so happened to come up with something original with it.

Which is not the same argument as sampling a piece of music.

It is fortunate for all of us, including yourself that the early blues masters did not follow the same suite or else we would have to get someones permission to play a song that used a 1,4,5 progression or even worse a 12 barre blues line.

Of course this is simple music, and your music is much more complex. Never the less, the argument is still there, and for a standard to be kept the most minimal of examples must be used.

Youtube is inundated with songs that "sound the same", and clearly many of them do. However being a musician myself, and I use that term very loosely in your company, i understand that there is only so many things that you can do with 12 notes in a scale.

As a long time fan of your music, I myself periodically find that in my jam sessions I might use a technique or a line that I subconsciously picked up from listening to you, or Vai, or Morello, or Buckethead, and not even know it or be aware of it.

It's not plagiarism its paying homage to your heroes.

In my very limited ability, I myself have found that I too was once in a position of creating an arpeggio that sounded exactly like something that Petrucci had come up. Interestingly enough I had never listened to Dream Theatre before, only knew Petrucci by name, and didn't think much about it. It was a musing on my guitar. A year later I happened to listen to a Dream Theater album and sure enough, there it was. Same key and all! Now how is it possible that some random guy with a guitar was able to come up with the same thing that a Juliard trained master was able to come up with?

Do I abandon the song that I had spent a year on because someone else recorded the same 12 notes in the same pattern that I had before I had even heard of them? No, my song is my own, and Dream Theatres is their own.

It almost makes me scared to pick up an instrument for fear of getting sued because something I might make might sound like something else.

I understand that all of your songs have great meaning to you, and I respect that, however another master at their craft whom I know personally summed it up this way "fine, steal my ideas, tomorrow I will come up with something better".

Joe, I am sad to say that because of this, I can no longer in good conscious be a fan, your action is a symptom of a greater problem that lies in the recording industry. A problem that names like NIN, Radiohead and many others recognize. It is the reason for Creative Commons, and Copyleft music. I can't support you, or endorse your music to people who have never heard it before.

Dear Joe,

I want to write to you regarding the "Viva La Vida" and "If I Could Fly" lawsuit that is happening between you and the band Coldplay. I want you to that I have been a fan of your music for a good many years now. I have had the pleasure to see you twice in concert. Once with G3 in, and again on your own tour. Both were amazing.

I write to you as a fan of your work, your music, and your dedication to being a viruoso guitar player, and not a fan in anyway of Coldplays.

But I have to say, that this action for me, is a straw that broke the camels back.

Yes, I can understand that it might be disheartening to hear a song that has a riff or a line that sounds very similar if not exactly like something you have created. I listened to both songs side by side, and the similarity is without a doubt there. But to cause such a fuss, and sue simply because of that reason is absurd.

Your argument essentially states that only you in the entire known world can come up with that arrangement of notes and that no one else is originally capable of doing the same feat.

Not only that, but only one person in existence can lay claim to that arrangement and no one else may make use of it even if they so happened to come up with something original with it.

Which is not the same argument as sampling a piece of music.

It is fortunate for all of us, including yourself that the early blues masters did not follow the same suite or else we would have to get someones permission to play a song that used a 1,4,5 progression or even worse a 12 barre blues line.

Of course this is simple music, and your music is much more complex. Never the less, the argument is still there, and for a standard to be kept the most minimal of examples must be used.

Youtube is inundated with songs that "sound the same", and clearly many of them do. However being a musician myself, and I use that term very loosely in your company, i understand that there is only so many things that you can do with 12 notes in a scale.

As a long time fan of your music, I myself periodically find that in my jam sessions I might use a technique or a line that I subconsciously picked up from listening to you, or Vai, or Morello, or Buckethead, and not even know it or be aware of it.

It's not plagiarism its paying homage to your heroes.

In my very limited ability, I myself have found that I too was once in a position of creating an arpeggio that sounded exactly like something that Petrucci had come up. Interestingly enough I had never listened to Dream Theatre before, only knew Petrucci by name, and didn't think much about it. It was a musing on my guitar. A year later I happened to listen to a Dream Theater album and sure enough, there it was. Same key and all! Now how is it possible that some random guy with a guitar was able to come up with the same thing that a Juliard trained master was able to come up with?

Do I abandon the song that I had spent a year on because someone else recorded the same 12 notes in the same pattern that I had before I had even heard of them? No, my song is my own, and Dream Theatres is their own.

It almost makes me scared to pick up an instrument for fear of getting sued because something I might make might sound like something else.

I understand that all of your songs have great meaning to you, and I respect that, however another master at their craft whom I know personally summed it up this way "fine, steal my ideas, tomorrow I will come up with something better".

Joe, I am sad to say that because of this, I can no longer in good conscious be a fan, your action is a symptom of a greater problem that lies in the recording industry. A problem that names like NIN, Radiohead and many others recognize. It is the reason for Creative Commons, and Copyleft music. I can't support you, or endorse your music to people who have never heard it before.

Igneousiceman.... Hey, Thanks for the comments. Much appreciated. Julia is a song about Riche's little neighbor. Inspiration comes from anywhere. We play this song live and goes over pretty well. When I first heard it you can't escape the Steely Dan influence. Anyway, I'm glad you like the songs and the pics. Did you get a chance to check out the covers? Those were recorded and mixed in my studio. I thought they came out pretty good. Thanks again......

People are funny.