Ya Yo - So sorry to hear that man. What about any other venues? Even the same venue. It's all the people who work the show man. Give Joe another chance.

Clarky - Why??? (one of your "last Satch gigs")

Death Cube - What's your site again? I wanna check out your stuff.

richardhaier.iuma.com

Dodin - Toronto? See you there. http://www.satriani.com/2000/road/2000-04-25/3joes.jpg

Clarky - I understand what you mean by all the things you said. The album does sound a little more rushed when compared to a masterpiece like Crystal Planet but there still are some top tunes on the album. I mean come on, Joe with a 7-string. Mind Storm. Joe using the pick a little more on this tour. That's gotta ignite some new interest in you.

Invigor - Funny you should mention NOTE because I recently aquired. One of my very best friends came back from his vacation in Ireland and brought me back NOTE. It was in a bargain bin and was obviously used but the cd still in very good condition. I listening to the whole album in it's entirety today for the first time and I LOVED it. Memories was hilarious because i'm used to hearing the whole band blow in on that exotic scale Joe plays in octaves. On the original Memories on NOTE, it was this weak little guitar part but still cool. Usually where Joe plays this really fast legato lick (Dreaming #11), he plays those partial chords and chords descending and they're easier to hear on this version. What a great album.

Joe, I am listening to you on The Bone right now. You're playing Summer Song.

For Adun - Haha nice. LET'S GET THE 3-PEAT EXPERIENCE HAPPENING AGAIN... erg... but Ya Yo isn't to frequent anymore.

Yeah and what was with that dude, you completely understand and support me now?

Ovation1 - I can't believe it myself but I didn't dig CP at first either. Now it's the greatest thing ever... other than NOTE, my most recently aquired album.

Clarky - That's true but the only reason I said SCALES was because he asked specifically how to play 'faster'. Chords doesn't have to do with faster.

I'm not saying this as if I have to defend what I said after your comment, I just don't want to give the impression that I think up and down scales is everything but that is where speed comes from. Knowing and handling your scales pure and simple.

Sharon - Him and his what?! haha

That would be ME with Joe's almight left hand on my right shoulder

Have fun Barrie.

Let's make a 3-peat!!!!!

Michelle - Happy birthday? What's the magic #? Or is it frowned upon to ask?

Wingnut - Evil! Evil question. I'd say, CP always stands out to me but EOC I think came close or maybe beat CP.

Although I love Joe's new stuff, I can't help but dearly miss Joe's older tunes and styles. NOTE. That album was genius..

Whojack - JS Clone 2 and I are section 201 aswell I think.

Colin Patullo - Man I listened to No Tomorrow. Such a cool rock tune. I love the vocals aswell. Fresh sounding. I don't have time to listen to the other 2 at the moment but I will tomorrow for sure.

I bet you're recording line in. Distortion sounds a little harsh but still not too too bad. There's a program out there called revalver. It simulates speakers in your tone when you master it.

nacriranger - You don't HAVE to think of modes in any way. They can be thought of as just seperate scales from eachother. I mean, it's a theory, not a rule. Nothing in music is a rule.

I don't understand your question though. The em7 note?

Whojack - Plum Loco - Actually JS Clone 2 and I are in 102 I think. Dunno if I typed it wrong or something. According to JS Clone 2 it's the floor seats right up by the stage.

Section 201 is really cool aswell if i'm thinking of the right area. It's eyelevel to the performers and closer to the stage than the balcony is at Massey Hall.

I was at the amphitheater a few weeks ago. Most bands sounded like garbage butn as the bands got more professional it got to sounding very very good. And Joe's band isn't very big either. David Bowie was one of the bands I saw there. They sounded great and there was 5 instruments and vocals.

Wingnut - Jem7VWH. S540 LTD (my latest) and a pre Vai RG. A guitar we bought used with the paint stripped off.

It is my fave. It looks like no Ibanez guitar in the past few years. He's got the hottest pickups i've ever heard. The front pickup sounds so much like a strat but a little warmer cause it's a humbucker. I took the middle pickup out years ago and the rear pickup is a burning hot pickup. So much bite to it. Currently wired to full front, out of phase (both pups on equal volume) and full rear with rear pup paralell/series option.

Nice neck. Much bigger than any wizard neck and has a bubinga strip.

my Jem7VWH is stock with an excellent home fret dress and I got the S540 LTD on a trade in with my Jem555BK.

Nick Lee - Nice. That one's got an Edge eh? All the pre 91's do. Does it annoy you with string bending? How the bridge comes up and releases tension on other strings dropping their pitch? You ever try blocking it?

Mr. Nick - Hahahaha http://www.satriani.com/gallery/2002-SBM-Europe/JoeandJeffinDublin.jpg

So what did Joe write 'Nameless' for?

Colin - I'll check them out sometime soon.

R.I.P. Joe Cinelli.

My mother's brother, My father's brother in law, my uncle and a damn fine guitar player.

Nick Lee - Actually my hair's fully grown past my ears and nose. It's long now. We're gonna take pictures of ourselves with our hair and guitars (Jem7VWH, JS1000BP) before we shave it off again.