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  { There are 4 posts by Sizzles }  

Sizzles
Beau Zeau
Plays: Guitar (38 years)
4 posts total | IP Logged

Joe,

Don't know if this is the place to ask questions or not, but I'll be backstage at the Atlanta show nonetheless. Heard about the meet and greet package and I'll be there. 300 bucks is steep though! Last time I got your autograph, it only cost me the price of a pizza! Though that was almost 20 years ago at this point.

Question: Have you tried playing the Ibanez ZR Trem. What are your thoughts on it?

Thu Aug 14 '08 3:29:38 pm Set this message as last read

Sizzles
Beau Zeau
Plays: Guitar (38 years)
4 posts total | IP Logged

What do you get if you win the Marathon at the Olympics? A Gold medal right? ok what do you get if you win the 100 metres? A gold medal right. Question, What would you rather train for?

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Ping Pong.

Thu Aug 14 '08 5:29:48 pm Set this message as last read

Sizzles
Beau Zeau
Plays: Guitar (38 years)
4 posts total | IP Logged

Man, the satchurator pedal has been on backorder forever!! All the online music stores keep pushing back the date! When will I ever get it! Joe, please come to Guam and the Philippines!!

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I've never had much luck with signature pedals. Don't get me wrong, it would be great if Joe's pedal can capture his sound, but if it does, then wouldn't he be using it instead of all that other gear?

I was really surprised at the tones on the musterion cd. VERY lush, and reminded me in a way of alot of the earlier stuff as well (those pre-amp board tones from the surfing cd) but with more of that gutteral vocal quality. Very cool tones. If you can get those tones with the satchurator, then I'll probably buy. For now, I'm sticking with the line6 models in the xtlive, as I've gotten very used to it and am NEVER left looking for neat tones. You can always dial up something different with a wide array of software models.

When I was away from the guitar for several years, I was blown away when I came back to it in 05. All this software stuff is just amazing! Literally racks full of gear, for a couple hundred bucks! I was all over it. I spent a good month just dialing in tones before I really started practicing heavy again. It's a blast!

Thu Aug 14 '08 5:37:38 pm Set this message as last read

Sizzles
Beau Zeau
Plays: Guitar (38 years)
4 posts total | IP Logged

Joe's tone has changed over the years as he's developed new pickups, amps, pedals, and so on...he's still always able to play pretty much everything, though, which should tell you that the majority of it is in his fingers.

Agreed. People who are new to guitar often fall into the trap of 'great tone', thinking they can buy it from guitar center. 90% of all tone of all players is in their fingers. The guitars, pedals, amps, strings, and setups and yada yada simply augment the innate tone that they carry with them wherever they go.

For example. Whether Eric Johnson is playing a gibson, or a fender, through a fender twin or a rectifier, it's STILL gonna sound like Eric in any combination of the above. That sweet, almost violin quality of his vibrato is gonna come through, because it's in his fingers. Same with Satch, Vai, and Malmsteen. Ok, well, Malmsteen was robbed of his unique tone by the countless legions of Yngwieinites who capitalized on his efforts and became arpeggiator robots. Most of them can be found on youtube these days sweeping away, all claiming to be the 'world record guitar speed' holder!

The finger's part in the 'tone' can't really be 'learned' in my opinion. It can, but it takes time and feeling in order to nail it. That's the cool thing about guitar though. There are so many subtleties that can come through in your playing once you've found an identity with your instrument, that it's literally possible for your guitar voice to be as unique as your fingerprint. Hell, your fingerprints probably have something to do with your tone at some microscopic subcutaneous level.

Of course, I'm not saying that equipment won't have a big impact on your tone. Absolutely it will! But again, it's more of an augmentation of what's already there in the relationship between your fingers and your strings. SRV's tone probably would not have been half as sweet if he wasn't playing those monster-thick cables on those old strats. In fact, his tone likely suffered in the form of detuning whenever he picked up a shred guitar with really light gauge strings.

My own music (myspace.com/sonicenergy) reflects what's between my fingers, the strings, and my wang bar (the one on my guitar). I'm no Joe, Vai, or Johnson, and will never be, but I have my own ID with the guitar, and I like to think it's unique. I didn't search it out or try to copy anyone to arrive at it, and in the process, I've found something that I can call my own. It's not as fast or precise as some of the really great players who log hours a day, but it's there nonetheless, and I have loads of fun with it!

The point is, foster the relationship between your fingers and the strings, and you'll find your tone. Then, you'll be able to express it through any guitar and a plethora of cool neo-gadgetry! If you can afford it, that is....

Fri Aug 15 '08 3:22:43 pm Set this message as last read
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